In essence, Adorno thought that artworks demonstrate that our relation to reality (human knowledge and perception) puts us in touch
with something that is itself not conceptual. He thereby thinks of reality as having the form of the event and of artworks as making this
reflectively available to the recipient – or, rather, to the theorist of art, such as Adorno.
Source: The Power of Art by Marcus Gabriel
Q: Does "this" refer to "reality as having the form of the event and of artworks"?
with something that is itself not conceptual. He thereby thinks of reality as having the form of the event and of artworks as making this
reflectively available to the recipient – or, rather, to the theorist of art, such as Adorno.
Source: The Power of Art by Marcus Gabriel
Q: Does "this" refer to "reality as having the form of the event and of artworks"?